The Werner Herzog quote about adequate images always stuck with me. His call for people to treat imagery with a greater respect seemed important to me, and he obviously put a lot of weight in it himself, clear from how apocalyptic his language was.
But figuring out what exactly adequate imagery looks like was not so well defined. Clearly there was something lacking in a huge amount of our visual media, but it was easier to describe what doesn’t qualify as adequate imagery than it was to describe what does.
I read a Pitchfork article about people who use camera phones at gigs and it got this video essay going. I didn’t want to demonise the people who shoot the gigs they attend, but I could never understand it. The quality of the images they get is terrible as is the sound, and I could never imagine wanting to actually look at them, so why on earth do these people attend gigs just to miss any profound moments they might have experienced by trying to capture it and watch it later?
It made more sense to me to try and explore this desire than to finger-wag, and so tying in Herzog’s concept of adequate images I attempted to link the desire to film a gig with the desire film-makers have to create images. The difference being one group is professional and the other is not.
In particular I wanted to bring the video essay around to A Girl Walks Home Alone At Night, easily one of the best films I saw this year and one that I believe is packed with adequate images.
One image I specifically enjoyed was how the veil is used by the director Ana Lily Amirpour, an Iranian-American. In Iran the veil is a symbol of oppression (or modesty, depending on who you ask) but Amirpour transforms it here into a vampire’s cape. As the main character stalks the streets at night, preying on sexist men, she is a realisation of a misogynist’s worst fears; a man-eating woman who wears the uniform of her oppression with a biting irony.
I don’t think people who film gigs with their cameraphones should be chastised, but I do think they are robbing themselves of the opportunity to really engage with art. We all feel that because we can all make little films now that we should. Whereas the truth is the same now as ever it was; that it takes years of practice to get good at it.
Anybody can make a great art work, but they can’t do it over night, nor by chance. And the first step to creating great art is to engage with great art. That’s what I was aiming to express in this video essay.